Tuesday, March 19, 2013

tree and talisman

 


Project proposal.


The proposed project in response to the myth: to create a talisman-like necklace with symbols from the story, cut and etched in sheets of metal (possibly aluminum, copper, or an alloy) and then displayed on a wooden board in the shape of the sacred mayan tree of life / "nanze" tree mentioned in the story.  The proposed symbols to be included are:
     • a representation of Vucub-Caquix
     • the silvery eyes
     • the sun and moon (which his existence made redundant)
     • the jaw (possibly?)
Why these symbols? They are the enduring and most notable characteristics of Vucub-Caquix. These symbols represent the cause of his excessive pride, and the reason for his eventual death. 
Why a necklace? In this case, the necklace would be more representative of a talisman, or an object whose power affects human emotion – like an amulet or charm.


The process so far.


The wooden display board I designed for the necklace is a combination of these two versions of the Mayan tree.
Mayan Version.

A slightly difficult-to-read explanation of the tree's elements.


My design on illustrator - definitely required some simplification, considering I have to cut this out of wood in a short period of time...


I played around with the scroll saw and cut out a few practice shapes. Here is my favorite one, along with some experimentation with marking and bending metal (copper here).


Also, I heard about a great store in Brooklyn for jewelry findings! Brooklyn Charm
Drawings to come!

the myth evolves



I'm not entirely convinced of the authenticity of the myth in my last post. So here is the new story, the legit one...

THE MYTH OF VUKUB-CAKIX
"...There existed a man "full of pride," whose name was Vukub-Cakix. The name signifies "Seven-times-the-colour-of-fire," or "Very brilliant," and was justified by the fact that its owner's eyes were of silver, his teeth of emerald, and other parts of his anatomy of precious metals. In his own opinion Vukub-Cakix's existence rendered unnecessary that of the sun and the moon, and this egoism so disgusted the gods that they resolved upon his overthrow. His two sons, Zipacna and Cabrakan (earth-heaper[1] (?) and earthquake), were daily employed, the one in heaping up mountains, and the other in demolishing thorn, and these also incurred the wrath of the immortals. Shortly after the decision of the deities the twin hero-gods Hun-Ahpu and Xbalanque came to earth with the intention of chastising the arrogance of Vukub-Cakix and his progeny.

"Now Vukub-Cakix had a great tree of the variety known in Central America as "nanze" or "tapal," bearing a fruit round, yellow, and aromatic, and upon this fruit he depended for his daily sustenance. One day on going to partake of it for his morning meal he mounted to its summit in order to espy the choicest fruits, when to his great indignation he discovered that Hun-Ahpu and Xbalanque had been before him, and had almost denuded the tree of its produce. The hero-gods, who lay concealed within the foliage, now added injury to theft by hurling at Vukub-Cakix a dart from a blow-pipe, which had the effect of precipitating him from the summit of the tree to the earth. He arose in great wrath, bleeding profusely from a severe wound in the jaw. Hun-Ahpu then threw himself upon Vukub-Cakix, who in terrible anger seized the god by the arm and wrenched it from the body. He then proceeded to his dwelling, where he was met and anxiously interrogated by his spouse Chimalmat. Tortured by the pain in his teeth and jaw be, in an access of spite, hung Hun-Ahpu's arm over a blazing fire, and then threw himself down to bemoan his injuries, consoling himself, however, with the idea that he had adequately avenged himself upon the interlopers who had dared to disturb his peace.

"But Hun-Ahpu and Xbalanque were in no mind that he should escape so easily, and the recovery of Hun-Ahpu's arm must be made at all hazards. With this end in view they consulted two venerable beings in whom we readily recognise the father-mother divinities, Xpiyacoc and Xmucane (4), disguised for the nonce as sorcerers. These personages accompanied Hun-Ahpu and Xbalanque to the abode of Vukub-Cakix, whom they found in a state of intense agony. The ancients persuaded him to be operated upon in order to relieve his sufferings, and for his glittering teeth they substituted grains of maize. Next they removed his eyes of emerald, upon which his death speedily followed, as did that of his wife Chimalmat. Hun-Ahpu's arm was recovered, re-affixed to his shoulder, and all ended satisfactorily for the hero-gods."



Vukub Cakix, or Vucub Caquix, is often depicted as having the head of a macaw.

Excerpt from  http://www.sacred-texts.com/nam/pvuheng.htm
The Popol Vuh: The Mythic and Heroic Sagas of the Kichés of Central America, by Lewis Spence. 1908.



Tuesday, March 5, 2013

balam




 Balam - the Mayan name for Jaguar.



The ruins of the Yucatán Peninsula are full of jaguar imagery. For thousands of years, peoples of many cultures have admired and feared its power, strength, and hunting prowess. The jaguar also came to symbolize “beauty, power, cunning, and mystery entwined in rituals and stories.” For the Mayan culture in particular, the jaguar’s skin is said to resemble the heavens and starry night sky if it were spread out. The jaguar is a god of duality – of day and night, and of fear and admiration…

“According to one Maya myth, it was a supernatural being, Jaguar Sun, who rose each day in the east and prowled west, aging along the course, until finally plunging into the darkness of the west. Then Jaguar Sun fights the Lords of Xibalba (the Underworld) all night. Through his strength and cunning, Jaguar Sun wins the right to rise each day in the East.”


One Mayan creation myth recounts:
“As god created people out of mud, jaguar, curious, watched. God didn't want jaguar to know how this was done, so he sent jaguar to the river to fetch water, using a leaky calabash to fill a jar. God figured to finish people by the time jaguar returned. At the river, as jaguar was mindlessly scooping water with the leaky calabash, frog advised patching the holes with mud. Very quickly, jaguar filled the jug and returned to the god who had finished 13 of the people and 12 arms; god was in the process of making a dog.”

While Jaguar expressed an interest in eating the dog, “God said the dog was to serve people and that the arms were to teach jaguar respect.”

After man wounded Jaguar’s paw twice, he learnt to leave humans alone. (He did eat the dog though.) Even still, people were still fearful and envious of Jaguar’s hunting ability and power.

“But although these powers are alluring, the jaguar teaches that people should never try to be what they aren't, as in the story of the possum who asked the jaguar to be godfather to her son… Jaguar, to be a good godfather, took little possum hunting at the waterhole. Jaguar leapt on a very large animal. The possum and jaguar ate their fill. Later the little possum took his mother to the waterhole where the little possum leapt upon a very large animal, but the animal simply shook himself and threw the little possum off into the mud. The little possum called his mother for help, but when she came to him, she, too, was trapped, and they both died. Jaguar stories also teach that power, by itself, is not enough.”


Then there is the story of the three lazy jaguars that were dying of hunger but didn’t want to find food. The rabbit asked them why they were complaining – they had been given the perfect hunting tools of claws and fangs ­– but the jaguars just grumbled that it was too much work to hunt.

“Rabbit offered to carry the jaguars into the forest if they would climb into a net. Once they were in the net, rabbit tied it shut, then found a long green guava stick and beat the jaguars. ‘You are built like great hunters, but you are lazy beasts.’ Thus the jaguar can be wise and foolish, powerful and weak.”

There are many myths about the jaguar even within the Mayan culture. Some say  “The Jaguar Sun has the wisdom and mystery of day and night, life and death, [while] other stories give a jaguar deity the power to eat the sun. One Maya story says that the end of the earth will come when jaguars ascend from the underworld to eat the sun and moon, maybe the universe; an eclipse will foreshadow this final event.”

But the Mayans believed that appeasing the Jaguar Sun god with rituals, singing, and honoring them in various ways has prevented this occurrence.

“Perhaps the stories and details about the jaguar are contradictory in part because people themselves are contradictory. Sometimes humans protect the jungle and share in its bounty. Sometimes people foolishly take more than is needed for food, consuming their environment - maybe even themselves.”

Text paraphrased and quoted from: http://www.oneworldjourneys.com/jaguar/jag_myth/body.html
Jaguar Rising by Marian Blue (2001-2002)


problem? solved.

Here's a look at some of the process involved. This is the second attempt at lining up the gears, with slightly more success but still not fully functioning. 


And this was just what I needed to make my day even better.... chipped mirror finish. Thank you, canal plastic.


But I had to recut the frame anyway so life was good again when I got to this stage:


The gears appear to line up, but the problem is that the hole I drilled for the gear shaft was not exactly in the center. So when they rotate, sometimes they match up but they easily slip off track.


Some photos of the final piece with hinges and all:




Various things I learned from this project:
- the exponential impact of a small measuring error
- how to use the bandsaw (truth: never used it before this project!), plexi cutter, jewelry saw, and sanding machine
- when you think you're almost done, you probably have a good 2 or 3 days of work left... at the very least
- dowels and how to create a simple gearshaft
- having extra material can literally save your life
- mirrored plexi melts and cracks easily

technicalities


My ruler. The markings on this piece of found metal are spaced according to the width of my index finger. The side opposite the markings is the width of my wrist. The rigidity is useful, but the one thing that might be more helpful is if it were longer.



Technical drawings. The top shows plan view and the bottom shows side view. The numbers are really for my sake, to help me remember how many different types of parts I'm cutting. The mechanical connections will include dowels, screws, hinges, and nuts & bolts. Originally I wanted the entire piece to be made of plexi...but cutting gears out of plexi would most likely be an inefficient use of my time. So wood will be substituted for the gears and the temples.